Decolonizing Representation- A Step Too Far

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'Mia'

Land O Lakes long-time mascot was removed from packaging citing cultural appropriation. Despite this, Native American populations considered it a faithful representation. Photo by: Associated Press.

Mia from Land O Lakes is another example of a controversial representation of a minority group. For decades, the butter company featured a Native American woman on its packaging, commonly referred to as the "butter maiden." In 2019, however, Land O Lakes announced that they would be removing the image of the maiden from their packaging, citing that it no longer reflects the company's values. The decision was met with mixed reactions, with some applauding the move towards inclusivity and others feeling that the removal was unnecessary and even erasing a part of their culture. Minnesota Lt. Governor and White Earth Band of Ojibwe member Peggy Flanagan shared on Twitter "Thank you, Native people are not mascots or logos," (Wu, 2). However, on the other hand, people thought that 'Mia' was a faithful and accurate depiction of Native women. Painted by Native artist Patrick DesJarleit, many feel people of their culture "dont often get to experience Native people drawing Native bodies," (Wu, 3).

The debate around the Land O Lakes decision brings up an important question: at what point does decolonizing representation go too far? While it is undoubtedly important to remove blatantly racist and offensive stereotypes, there is also value in honoring and representing the culture and history of minority groups. This is a delicate balance that requires careful consideration and consultation with the communities being represented.

Works Cited

Wu, K. J. (2020, April 28). Land O’Lakes Drops the Iconic Logo of an Indigenous Woman From Its Branding. Smithsonian Magazine. ://efaidnbmnnnibpcajpcglclefindmkaj/https://www.bobbyhoexplorations.com/uploads/1/1/2/3/11231496/land_o.pdf.

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Billy Porter as 'Fab G'

Movie poster displaying the main actor, most importantly Billy Porter as 'Fab G'. Poster by: Henry Braham.

Billy Porter's portrayal of the character Fab G in the 2021 remake of Cinderella was another portrayal that sparked controversy and debate. Fab G is a genderless version of the Fairy Godmother character traditionally depicted as a woman. While some praised the inclusion of a non-binary character, others argued that it was a forced attempt at diversity and did not accurately represent non-binary individuals. Other groups claimed that Billy Porter's character embodied the old 'Magical Negro' trope as well. This trope characterizes a "morally upright Black character," that serves as the non-white main character's moral compass (Glenn and Cunningham, 4). This trope identifies with African and African-American individuals' "liminality" and is heavily informed by other racist portrayals previously mentioned (Glenn and Cunningham, 3). 

The controversy surrounding Fab G's portrayal highlights the ongoing debate about representation in media and the need for accurate and authentic representation of marginalized groups. While it is important to increase representation and diversify the media landscape, it is also important to ensure that it is done in a respectful and accurate manner. As with the previous examples, the controversy surrounding Fab G highlights the difficulty in navigating representation in media. It is important to acknowledge and address harmful stereotypes and portrayals while also creating authentic and accurate representations of underrepresented groups. The conversation surrounding Fab G provides an opportunity for further discussion and education about LGBTQ+ individuals and their portrayal in film and also allows us as viewers to reflect on how other portrayals of 'The Magical Negro' or other such tropes have persisted unbeknownst. Ultimately, the goal should be to create a media landscape that accurately and respectfully represents all individuals and communities.

Works Cited

Glenn, C. L., & Cunningham, L. J. (2007). The power of black magic. Journal of Black Studies, 40(2), 135–152. https://doi.org/10.1177/0021934707307831

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Childish Gambino/Jim Crow

Depicts Donald Glover (aka Childish Gambino) side-by-side with an illustration from the Jim Crow Era in the US South. Glover claims his pose was based on such illlustrations. Directed by: Hiro Murai. Produced by: Jason Cole. Perfomed by: Donald Glover. Photo: Public Domain.

Throughout this conversation, we have discussed the persisting issue of racist portrayals in media and the importance of decolonizing representation. From the Mammy stereotype to Chief Wahoo and the Redskins, there has been a constant struggle to remove and challenge these depictions. However, as we have seen, there are also cases where the community being portrayed defends a particular character, such as Aunt Jemima and Mia from Land O Lakes.

In recent years, there has been a particularly harsh political landscape, with the Trump presidency reigniting and emboldening racism in various forms. In the face of such adversity, many artists and activists have sought to reclaim black identity and culture, including in the realm of media representation. Donald Glover (aka Childish Gambino)'s song "This is America" is a powerful example of this, featuring stark imagery and commentary on both the history and present-day manifestations of racism in America. In this context, it is important to recognize the significance of symbols such as Jim Crow, public execution(s), and police vehicles which were all used to uphold segregation and white supremacy in the past (and present). While these symbols have been largely removed from mainstream media, they continue to hold a potent meaning in the fight against racism and oppression. By portraying a Black man (Donald Glover) in the midst of all this imagery, this video symbolizes how oppressive the American government and people were, and are still, to Black citizens. This project acts as a chronology of many forms of racism presented in media throughout time, culminating in the volatile political climate we see ourselves in now. While old, this video still provides vivid imagery of this process, and what it accumulated to over time.

Decolonizing Representation- A Step Too Far